6.6.08 Inade + Fetisch Park + BJNilsen + Anemone Tube live!

[kubu]

Thema geschlossen, Begründung gibt es [hier] - 0806041223And242

Fr. 06.06.2008,
Einlass: 20.00h, erstes Konzert: 20.30h, Tickets 10 Euro
http://www.geraeuschwelten.de

aufabwegen präsentiert: Geräuschwelten #46
INADE
(Dark Audio Mythology)
&
FETISCH PARK
(first performance in many years by this legendary project!)
&
BJNILSEN
(ex-Hazard, ex-Morthound; sounding nature)
&
ANEMONE TUBE
(from headeaches to numbness)

Black Box/cuba
Achtermannstr. 12, 48143 Münster
Mit dunklen und aufwühlenden Klängen läutet aufabwegen den Sommer ein. Das mystische Projekt INADE begibt sich auf Klangforschung in den schwarzen Löchern des Universums mit kaum greifbaren Sounds. Fetisch Park, die in ihrer ersten Schaffensphase berüchtigt für ihre Thematisierung von S/M Sexualität waren, treten seit etlichen Jahren erstmals wieder live in Erscheinung – klangliche überraschungen sind garantiert. Der Schwede BJNilsen ist ein Meister, wenn es um das Komponieren mit Naturgeräuschen geht. Und mit Anemone Tube spielt ein frisches Projekt auf, das sich im Grenzbereich zwischen medialer Collage, irritierendem Noise und Soundculture bewegt.

Weitere Informationen/Infoline
aufabwegen/Till Kniola
Tel.: 0221-2720055 - Fax.: 0221-2720056
E-Mail: zipo@aufabwegen.com

Informationen

Inade

Sound Search

In the early 1990s, Dark Ambient sounds could already be heard emerging from Aue in the Erzgebirge (the "Ore Mountains" region of Saxony), specifically on two audio cassettes by the duo Inade: "Schwerttau" ("Sword Dew", 1992) and "Burning Flesh/Seelenhain" ("Grove of Souls" 1993) were still testing the limits of the sound equipment at their disposal, and searching amidst the stylistic territories of Post-Industrial and Ambient Musics.

Space Itself Breathes
The live sound of the sound artists can be heard on an evolutionary 4cd/4lp boxset guiding the listener to the deeper meaning of their live concept - "Colliding Dimensions live 1995-2002". At the intersection between dreams and ears wide open cognizance, between the known reality and the spiderweb cluster of dimensions dissecting it, reside the premier purveyors of dark ambience, Inade. But it's more than simple dark ambience that they traffic in, for their dreams are vast and unrestricted, and their imaginative, ears wide open approach to sound manipulation is audacious and unparalleled. It's as much weird ambient as it is dark ambient; strange, perplexing sounds in which origin must be questioned. Arcane musings from the cosmic wasteland collide with insectiod utterances culled from ancient alien terrain; deep audio ripples pulsing across dark matter plains collide with the ephemeral flotsam of German occult murmurings. Pterodactyl's squeal in atavistic joy, space itself breathes--inhalations like crackling Cthulhuian dread, exhalations etched on the machinery whine of Forever--and the ever shifting cartography of the infinite is sonically translated along the ridge of collision, where Inade dare to explore. What remains is incomparable: the audio mythology they have nurtured, and the legacy that is Colliding Dimensions.
Since May 2005 Inade are performing Audio Mythology leading to the next decade of deeply spiritual energy…

Eternity Prevails
In early 2006 Inade decided to release a CD with collected recordings from 2001-2002 that has been remixed and re-edited in 2005. "Samadhi State" is illuminating the space of reality and the luminous arcs of dreams. Samadhi is a over-conscious experience that lies beyond waking, dreaming, and deep sleep. The realisation made in Samadhi is numinous realisation. A perfect condition in vigil, a condition of absolute consciousness. It is the final goal of everything and the highest form of self-possession, in the sense of collecting all the faculties of the constitution towards reaching union or quasi-union, long or short in time as the case may be, with the divine-spiritual… Life in the spirit is not fading. If the restrictions of the empirical being are exceeded, the universal life is intensified. The life becomes cosmical and even hypercosmical. The Samadhi State is neither guards nor dreams it is the fourth dimension, where the infinite eternity prevails.

http://www.inade.de


FETISCH PARK/Carla Subito

Annäherung an Fotografie und Feldaufnahmen im Alter von 12.
Ausbildung zum Kirchenorganist.
Studium der Wirtschaftswissenschaften (Prof. Woll, Siegen), Musik-Theather-Regie (Prof. Goetz Friedrich, Hamburg) und Meditation (Ma Kala Naga Shanti).
Einrichtung eines Tonstudios und Kooperation mit unterschiedlichsten Komponisten/Musikern (Radio 100, Bob Humid, Club off Chaos, Jaki Liebezeit, Hans Ulrich Humpert, Johannes Schmoelling, Trance Groove, Soma etc.).
Mit Marlon Shy Gründung der Künstlergruppe Fetisch Park.
Veröffentlichung von Musik CD´s bei verschiedenen Labeln (z.B. Extreme, Staalplaat), Videos und Büchern im Konkursbuch Verlag Claudia Gehrke.
Ausstellungen, Medien- sowie Live Auftritte in Deutschland und dem benachbarten Ausland (z.B. Sonar Festival, Barcelona).
Lebt in Köln, Olpe.

www.carlasubito.de


BJNILSEN

(b,1975 Sweden) is a sound and recording artist, has since 1990 been putting out work in various constellations. Primarily focused on the sound of nature and its effect on humans, field recordings and the perception of time and space as experienced through sound, often electronically treated. He has worked for documentary film, television and sound engineer.

Selected Audio Releases:
2007 The Short Night #TO:75
2006 Storm # Tone 27 (With Chris Watson)
2005 Fade to White #TO:65
2003 BJNilsen/Hazard Live at Konzerthaus, Vienna 061203 #TO:CDR5
2003 Land TO#TONE17
2001 Wind # Ash 6.5 (With Chris Watson)
1999 North # Ash 4.5

Selected Collaborations:
2007 22.22 with z’ev /Ideal Recordings
2007 Second Childhood med Hildur Gudnadottir och Stilluppsteypa /Quecksilber
2006 Storm # Tone 27 (With Chris Watson)
2004 Vikinga Brennivin with Stilluppsteypa / Helen Scarsdale

www.bjnilsen.com

ANEMONE TUBE

Anemone Tube was founded in Summer of 1996 by Stefan Hanser .
The audioworks from Anemone Tube vary a lot along with the different means Stefan Hanser uses as sound source and for mani-pulation. It could easiest be described as industrial-, ambient- and noisescapes of organic and sythetic sounds.
The use of constantly shifting and altering sounds and moods is possibly one of the most intruiging things about the audio crea-tions of Anemone Tube with the purpose of trying to put the liste-ner into a delirious mental state, to irritate, torment and caress him no matter if in a positive or negative way: to cause emotional reaction!

Split C-40 tape with Hunger . Transfixional (ger)
Forget Heaven . C-50 tape . Bawler (ger)
Split C-50 tape with Yggdrasil . Transfix. / Darkness (ger)
Remix on Hartsoeker . one sided 7“ep . Useless (ger)
Flowers of reality . 10“LP . Transfixional (ger)
Split C-60 tape with Tender Love . Inner Space (usa)
Split C-50 Wurzel.b.w.s (Side Project) w/ Brume . (Transfixional (ger)
Split 7“ep with Tender Love . Inner space (usa)
Allegories for the future . C-54 tape . Loud! (italy)
Split CDr with Tarkatak . Transfixional/Trümmer (ger)
Forget Heaven/Angel Falls . Do-CDr . Solipsism (usa)
:Existence . CD . AufAbwegen (ger)
Transference . Collaboration CD w/ Christian Renou (fra) AufAbwegen (ger)

http://www.anemonetube.de

Thema geschlossen, Begründung gibt es [hier] - 0806041223And242