disorder
Statistik: Verfasst von disorder — 12.09.2003 (13:08)
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Lexandro hat geschrieben:
jetzt dürfte ja alles klar sein
jetzt dürfte ja alles klar sein
und alle unklarheiten werden klar, mit bestem wissen und gewissen, unklar beantwortet.
Statistik: Verfasst von WaD — 12.09.2003 (7:20)
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Statistik: Verfasst von Lexandro — 26.08.2003 (0:27)
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anosmie hat geschrieben:
was ist "academic music"?
was ist "academic music"?
bedeutet erstens: wir werden das nächste mal drauf verzichten es auf unseren flyer zu schreiben
und zweitens:
20th-Century Classical/Academic electronic music
Noise actually has a healthy history behind it in twentieth-century academic
music. Every composer who has had to orchestrate a score knows that the
tonal color of instruments has as much effect on the listener as melody and
rhythm. In the early part of the century, composers such as Luigi Russollo
scored pieces for home-made or invented instruments. Russollo\'s ideas were
further refined by the Italian Futurist movement of the 1920\'s. In the
1930\'s and 40s, Harry Partch developed his own system of multitonal music
using hubcaps, airplane fuel tanks, and artillery shells. As electronic
instruments developed, composers wrote classical pieces for household
musical electronics [John Cage\'s "Imaginary Landscapes" for radios], altered
or "prepared" instruments [Cage\'s and Henry Cowell\'s prepared piano works],
tape manipulation [Pierre Henry and Pierre Schaeffer\'s musique concrete],
and early synthesizers [George Crumb\'s "Ancient Voices of Children" and many
works by Milton Babbitt]. In addition, vast numbers of composers began using
orchestral instruments in non-traditional ways; examples include Mauricio
Kagel, Iannis Xenakis, and Luigi Nono. This tradition continues in academic
music; newer artists include Arnold Dreyblatt and Tod Dockstadter. However,
after the Industrial movement, most of these techniques escaped the ivory
towers of academia and made it into pop culture. And many modern classical
artists [especially from Eastern Europe] have moved away from these styles
of music and into a revival of modal or minimalist spiritual music; examples
would be later compositions by Arvo Part, Oliver Messiaen, or Henryk
Gorecki.
Statistik: Verfasst von WaD — 25.08.2003 (7:42)
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Beginn> 21:30 | Eintritt> ? 3,- | freier Einlaß bis 22:30!
Statistik: Verfasst von WaD — 24.08.2003 (20:58)
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